NowISee
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Post by NowISee on Aug 10, 2016 16:49:30 GMT
This is obviously an oldie (2008), but still pretty insightful. I can't remember seeing this before, but perhaps some of you have.. I'm going to quote all the Avril bits here but the other parts of this article you can read over here: www.hitquarters.com/index.php3?page=intrview/2008/January28_0_0_1.html I think Nettwerk managed her well. All her success from the beginning of her career until the end of TBDT were managed by them. They really gave her time and made her really visible everywhere (from the mangabooks to promotional tours). IMO her current management is one reason why she hasn't been as popular as she was back then. I believe this was somewhat a small company back then, but they really appreciated her and her career. I'm not even sure who is her management right now (is it still Azoff?), but imo Epic isn't the only one to blame of the lack of promotion nowadays.
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StrongSweet
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Post by StrongSweet on Aug 10, 2016 17:00:18 GMT
This is obviously an oldie (2008), but still pretty insightful. I can't remember seeing this before, but perhaps some of you have.. I'm going to quote all the Avril bits here but the other parts of this article you can read over here: www.hitquarters.com/index.php3?page=intrview/2008/January28_0_0_1.html I think Nettwerk managed her well. All her success from the beginning of her career until the end of TBDT were managed by them. They really gave her time and made her really visible everywhere (from the mangabooks to promotional tours). IMO her current management is one reason why she hasn't been as popular as she was back then. I believe this was somewhat a small company back then, but they really appreciated her and her career. I'm not even sure who is her management right now (is it still Azoff?), but imo Epic isn't the only one to blame of the lack of promotion nowadays. this manager was quite powerful tho. He could take care of RCA and let Avril to rule them when RCA was quite big and is a control freak. But it's almost impossible now by her alone, even Epic Producers and mixers were her choice, she is Simon Cowell, but specialized in looking for song making talents lol Epic really needs let Avril pick up this time. I wonder if the management she uses now has ever researched and seeked advice from him....
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BogoGog24
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Post by BogoGog24 on Aug 10, 2016 17:20:52 GMT
Her current management is Larry Rudolph and Adam Leber of Reigndeer Entertainment, which also manages Britney Spears and Miley Cyrus. They have been managing her career since AL era.
I agree her old management up to 2008 was the best. I don't think it's entirely to do with the fact she was a new and popular artist then, her management back then also seemed to promote her a lot and let her do more or less what she wanted.
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gabbox
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Post by gabbox on Aug 10, 2016 17:26:42 GMT
Oh Shauna I remember her .. it's true she did a lot for Avril and was always with her.. I remember she was also visiting the Colosseum with her and Deryck in Rome and taking videos of them .
Back in time you could also send her a picture and she would turn it back home with Avril's autograph
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NowISee
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Post by NowISee on Aug 10, 2016 17:27:39 GMT
The owner of Nettwerk said this in 2010: "She moved to L.A. and at the end of the day, she wanted an L.A-based manager that could pop into her house within like an hour's notice," McBride said by way of explanation. "I accept that. (But) I don't necessarily think that makes for a better manager." McBride points out that neither artist is necessarily better off having left the company. "Avril hasn't released an album since she left Nettwerk, and that's been over two years. You know, I question that," he said. "It's strategies, right? If there's one thing that Nettwerk is good at, it's strategizing." www.ctvnews.ca/nettwerk-battles-through-losses-1.564481On the same article he says how Dido, Coldplay etc. burned out because of their hard working schedule. We know Avril kind of likes to take it easy - perhaps it's also another reason why she left them?
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Jack
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Post by Jack on Aug 10, 2016 18:00:44 GMT
They managed her very well during the first two albums/eras, but things started to ruin when TBDT came. Not only she changed her music style but she was also marketed to kids and teenagers, and it was more obvious as time passed during TBDT era. I don't know who's to blame more or less, but I think that change of marketing style in 2007-8 was bad for her career in the long run.
However, it's true that her managers since she left Nettwerk (Irving Azoff, who she follows on Twitter, and Larry Rudolph who she doesn't) haven't been the best ones in terms of making her more successful and famous again. But her issues with the labels didn't help either.
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BogoGog24
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Post by BogoGog24 on Aug 10, 2016 19:35:30 GMT
They managed her very well during the first two albums/eras, but things started to ruin when TBDT came. Not only she changed her music style but she was also marketed to kids and teenagers, and it was more obvious as time passed during TBDT era. I don't know who's to blame more or less, but I think that change of marketing style in 2007-8 was bad for her career in the long run. However, it's true that her managers since she left Nettwerk (Irving Azoff, who she follows on Twitter, and Larry Rudolph who she doesn't) haven't been the best ones in terms of making her more successful and famous again. But her issues with the labels didn't help either. You can't be serious. First of all, she was always marketed to kids and teenagers, since day 1. None of that changed with TBDT era. I get why you're saying that, because her overall look was more girly, colorful, and appealed to younger kids, but from day 1 of her career she was always marketed to the teen market. And TBDT was her last really successful era. She was heavily promoted, had good sales, a successful tour, etc. GL onwards was where her career began going downhill and everyone knows it. The only reason you are blaming TBDT is simply because you don't like that album or the image she had then. But it definitely was not a bad spot in her career at all, in fact it was her last truly successful album and era and if anything it was the peak of her career. GL was where things started to go wrong, from the management change, different people at RCA that didn't understand her vision, her divorce, etc. And things only got worse once she changed management yet again and a new label. Now that we are hearing these quotes I'm starting to think management has played the biggest role in the decline of her career. Not the bratty motherfucking princess image, not the never growing up songs, not even Epic, but poor management.
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StrongSweet
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Post by StrongSweet on Aug 11, 2016 2:10:12 GMT
They managed her very well during the first two albums/eras, but things started to ruin when TBDT came. Not only she changed her music style but she was also marketed to kids and teenagers, and it was more obvious as time passed during TBDT era. I don't know who's to blame more or less, but I think that change of marketing style in 2007-8 was bad for her career in the long run. However, it's true that her managers since she left Nettwerk (Irving Azoff, who she follows on Twitter, and Larry Rudolph who she doesn't) haven't been the best ones in terms of making her more successful and famous again. But her issues with the labels didn't help either. actually, TBDT has started marketed to adult and wider target since Girlfriend was in every one ears, thats where it came to sucessful. Also, WYG music video include adult and elderly love life, I cant rly see it
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StrongSweet
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Post by StrongSweet on Aug 11, 2016 2:54:55 GMT
Now, no wonder why how Epic forces Avril to make radio-friendly songs because she was not having tough schedule as used to be so the sucess really relies on the song itself like All About That Bass
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Jack
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Post by Jack on Aug 11, 2016 4:13:29 GMT
They managed her very well during the first two albums/eras, but things started to ruin when TBDT came. Not only she changed her music style but she was also marketed to kids and teenagers, and it was more obvious as time passed during TBDT era. I don't know who's to blame more or less, but I think that change of marketing style in 2007-8 was bad for her career in the long run. However, it's true that her managers since she left Nettwerk (Irving Azoff, who she follows on Twitter, and Larry Rudolph who she doesn't) haven't been the best ones in terms of making her more successful and famous again. But her issues with the labels didn't help either. You can't be serious. First of all, she was always marketed to kids and teenagers, since day 1. None of that changed with TBDT era. I get why you're saying that, because her overall look was more girly, colorful, and appealed to younger kids, but from day 1 of her career she was always marketed to the teen market. And TBDT was her last really successful era. She was heavily promoted, had good sales, a successful tour, etc. GL onwards was where her career began going downhill and everyone knows it. The only reason you are blaming TBDT is simply because you don't like that album or the image she had then. But it definitely was not a bad spot in her career at all, in fact it was her last truly successful album and era and if anything it was the peak of her career. GL was where things started to go wrong, from the management change, different people at RCA that didn't understand her vision, her divorce, etc. And things only got worse once she changed management yet again and a new label. Now that we are hearing these quotes I'm starting to think management has played the biggest role in the decline of her career. Not the bratty motherfucking princess image, not the never growing up songs, not even Epic, but poor management. I recognise that my dislike towards TBDT might have something to do, but I also think that her being targeted to kind and teenagers was even more evident and forced in my opinion. During LG and UMS, I didn't really feel she was purposely catered, almost shoe-horned, to those people like it seemed during TBDT; she was a teenager during her first albums, and it was natural that she attracted young people, but she also attracted a lot of adults; I didn't see that happening with TBDT, while she was 22 years old and happily married. And just because she was still successful at the time, that doesn't mean that purposely and forcibly catering to kinds/teenagers was the best decision in the long term. And yes, it all went downhill since GL, but it all started with RCA rejecting the "original" album that was more grown-up and mature, seemingly leaving the TBDT "MF princess" behind. But she was successful because of catering to teenagers (more or less on purpose), people around here (and maybe even herself) thought it was a good idea to keep doing it despite being a 25+-year-old woman. It wasn't as evident, but it was still there. Let's see what they do for next album/era They managed her very well during the first two albums/eras, but things started to ruin when TBDT came. Not only she changed her music style but she was also marketed to kids and teenagers, and it was more obvious as time passed during TBDT era. I don't know who's to blame more or less, but I think that change of marketing style in 2007-8 was bad for her career in the long run. However, it's true that her managers since she left Nettwerk (Irving Azoff, who she follows on Twitter, and Larry Rudolph who she doesn't) haven't been the best ones in terms of making her more successful and famous again. But her issues with the labels didn't help either. actually, TBDT has started marketed to adult and wider target since Girlfriend was in every one ears, thats where it came to sucessful. Also, WYG music video include adult and elderly love life, I cant rly see it WYG was a nice attempt, but if you later release TBDT as a single during her tour and while releasing AD that clearly catered to kids/teens, it ended up being in vain.
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BogoGog24
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Post by BogoGog24 on Aug 11, 2016 12:11:08 GMT
I see what you mean and I do wish her label would realize all the teenagers who loved Avril have now become adults just like she has and that it's necessary for her to grow with her audience. I sense Avril is ready to move on to adult songs as evidenced by GL and half of AL, maybe she still wants to do an ocassional fun song like HK because she has that side to herself, but I mostly think she wants to do more mature songs her adult fans will like but the label keeps pushing her to make immature pop songs because they think it's what will top the charts or what her audience still wants to hear.
If only they could realize there are many mature songs that have become hits like Hello, All of Me, 7 Years, etc. or at least pop songs that have some kind of meaning to them like All About That Bass (being proud of your body), No (being an independent woman), Shake It Off (not caring what others think), Fight Song, etc. It's not really a problem if they want her to do pop songs for radio, but they don't all need to have such shallow messages like getting drunk and partying. What made Avril unique and why people loved her was because her music had real meaning and wasn't shallow, now it's almost like the label has turned her into the very thing she was against.
Also I don't think marketing oneself to kids and teenagers is in itself a problem, they're the ones who actually buy the music and that was her core fan base when she started and most likely she wouldn't have made it as far as she did if she tried to appeal to adult listeners at that time. And a lot of pop artists naturally appeal/market themselves to that market. But when the artist wants to change direction and release more adult stuff, that's where it becomes a problem and probably the dilemma she's in right now.
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viccccc
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Post by viccccc on Sept 6, 2016 4:06:18 GMT
OK i'm confused 2001? Avril Lavigne / Cliff Fabri (mgmt) 1999 - 2002 Who to believe. He seems to be left out of most of Avril self told stories on how she made it and a lot of people take credit.
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viccccc
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Post by viccccc on Sept 6, 2016 4:21:53 GMT
Just really odd. I mean if they cant get there facts right or tell the truth what else are they misleading about. He was in New York with her and L.A. while the songs were being produced. I think it would have been fun to see her do country songs dressed up like a skater punk which is what the label tried in New York. I tell you the more you read the more you wonder what the real deal is.
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BogoGog24
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Post by BogoGog24 on Sept 6, 2016 11:58:19 GMT
Cliff Fabri was technically her first manager and he found her when she was singing in a bookstore. If we're talking about who her first manager was when she was signed to a record deal, it would be Shauna. There may have been a falling out between Av and Cliff and that could be why he's never mentioned.
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