TomX
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Post by TomX on Apr 9, 2024 19:05:18 GMT
I wonder if she'll pull a LG 20 and release the anniversary edition on digital platforms on May 25 and the vinyl edition by the end of the year/early next year. I don't mind if the vinyl is pushed back to next year lol, as long as we get it and can pre-order it in the coming months.
The other Avril-related product could be the GH album which is allegedly coming out in June according to that vinyl store website. Either that or the new album.
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Post by TomX on Apr 2, 2024 13:29:58 GMT
I scrolled through the red carpet interviews from the iHeartRadio Live From the Red Carpet stream, but she's nowhere to be found. Her interview didn't air, so hopefully they release it today. She was also interviewed by GMA3 , so we should keep an eye out for that as well.
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Post by TomX on Mar 31, 2024 1:49:12 GMT
teenage nightmare is right there 😭 Cest La Vie and Teenage Nightmare would both have been perfect lbr Let's add A Ring from Tiffanys. That song is such a bop and has some cool throwback LG vibes at the beginning and the end. The chorus and bridge are so catchy and fun. Would be so fitting for this GH thing.
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Post by TomX on Mar 31, 2024 1:47:40 GMT
So GH album/vinyl coming in June (I think this website is legit), but honestly, meh. Can't say I'm surprised tho. I hope it comes with at least two or three new songs, and I deeply hope this doesn't mean no UMS 20 vinyl or new album or at least a lead single in the fall. Not this year revolving around her hits... (should've happened in 2022)
According to that website, there will also be a re-release of her first 5 albums on vinyl in June. Makes sense since they're the only ones that aren't mass produced and were only distributed by Music On Vinyl. Both HAW and LS can be bought on her store, Amazon, or any other online store. Her other albums can only be bought on resale or through third parties who sell MusicOnVinyl editions. So far, no signs of the UMS one being a 20th anniversary edition.
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Post by TomX on Mar 29, 2024 19:33:53 GMT
She's posting UMS reels on Youtube. Yesterday it was He Wasn't and today Don't Tell Me. I feel something's coming...
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Post by TomX on Mar 20, 2024 21:07:03 GMT
Also, the way she sang Breakway in that interview is how I wish she had sung on the rerecorded version. I will always prefer her deeper voice and darker tones over the overly high pitched versions we got since 2021. With that being said, i hated how she tried to sound like Pavarotti druing AL5 😭 it just sounded weird and unnatural so i think i would've hated Breakaway with that voice lol. She does a bit nasally in the studio version we got but it's not too bad since the song is not even that high anyway. She sounds like UMS-TBDT on that one. I can't complain too much since it's one of my all time favorite songs and i'm happy she re-recorded it. THIS. I hated that so much. I'm happy she went back to her original singing style for HAW.
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Post by TomX on Mar 14, 2024 18:16:28 GMT
Let Go this and Let Go that and Let Go seems to be the only relevant thing she's ever put out. The funko pops are cute and they are from an iconic moment of her career, but I just wish her other eras got a bit more recognition, specially this being the 20th anniversary of UMS, her first #1 album. It would've been awesome getting the Sk8er Boi one and an UMS album one as well. Or even a Girlfriend one. Don't know, Let Go always getting all the flowers doesn't sit well with me, even though it was expected.
I KNOW how important it was in her career and how strong of a debut it was, and it was the album that made me a fan 22 years ago and I will always cherish it so much (before you come at me lol), but Avril proved to be much more than just that one album in which she had very little to no input on.
Anyways, I'm glad she's getting her Funko pop and I'll probably get them down the line
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Post by TomX on Mar 14, 2024 17:51:26 GMT
Do you have a link to the tweet?
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Post by TomX on Mar 10, 2024 1:50:01 GMT
At first I was like “AL”? But upon checking, he only mixed LMG, Bad Girl, GYWYL and Hush Hush on Avril Lavigne, which are all really well-produced and mixed songs, so that’s a good sign. Also, he seems to be a mixer of mostly rock albums, so I wonder if this means we’re getting either a remastered UMS anniversary edition or if the new album will have a darker rock vibe.
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Post by TomX on Mar 1, 2024 2:03:36 GMT
Not when the atrociousness of AL exists. It would be great to get a properly produced version of that album.
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Post by TomX on Feb 28, 2024 19:56:38 GMT
Yeah, if you take a look at the UMS playlist it says "modified 4 days ago". I don't want to get my hopes up, since this could also mean just creating a playlist for the anniversary, but the fact that Avril and her team know the anniversary is close is a great sign.
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Post by TomX on Feb 28, 2024 19:35:26 GMT
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Post by TomX on Feb 28, 2024 13:39:55 GMT
Nobody’s Home has got a Spotify canvas now, THEY KNOW. This is giving me hopes for an anniversary celebration
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Post by TomX on Feb 28, 2024 13:38:16 GMT
A collab with Olivia has turned out to be a need at this point!
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Post by TomX on Feb 28, 2024 2:07:52 GMT
I’m sorry but that’s NOT the case with UMS. She literally always said she was much more hands on with the creative process and writing , and the overall sound. She knew exactly what she wanted for that album and her label gave her total freedom. She even tried to push MHE as the lead single , which is the most mainstream song on the album, and played most of the tracks on either piano or guitar on her live shows. She actually loved UMS back in the day, but she was done with the darkness it entailed by the end of the tour and wanted to go for something lighter , and that’s where TBDT came in.
If anything, LG was that album that she almost had no creative input in,, which is fine because she was very young and still trying to figure things out. If anything, LG was the album that made her decide to go into a darker and more rock sound on the next one. In fact, she ditched LG for being too pop during the UMS era, and did the same with UMS for being too dark in the TBDT era, but you can tell she now cherishes that first album a lot and always speaks highly of it.
It’s very common for artists to compare their new work with its predecessor anyways, it’s not so much about how she “was over” an album and more about how that new album stood out and had its own identity.
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