henryp92
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Post by henryp92 on Jan 7, 2021 19:47:56 GMT
Just listened to it. I'll never to that again. My taste in music developed back in ancient times, when singers actually sang. The electronic processing done to Avril's voice is unforgiveable. Kinda agree with this this. One of my main complains is on Avril's voice production. I heard an HQ version of the song and it didn't improve as much as I hoped for. Same for the production of the climax, lacks some polishing. I don't think the production is that great, it feels rushed. I don't mind filters and autotune in singer voices when is meant to mean something in the album. However, this feels like an overdo of pitch correction, and, meh...
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gabbox
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Post by gabbox on Jan 7, 2021 20:01:36 GMT
I honestly don't agree at all - Avril has a voice and she can absolutely sing.
Is her voice electronically processed? oh yes absolutely. But she was autotuned in It Was in Me.. she was autotuned a lot in Tell Me it's over, she was electronically high pitched in songs like Hello Kitty or Take Me Away from Under my Skin.
It's not a news. But she can sing live. Differently, but she can. And most of time I don't like this discrepancy but Studio versions are always different.
Clearly, in Flames the electronic process is more pronounced, but this is the late trend. Also after all she doesn't really scream too much in this song, instead I have the feeling Modsun's voice eats Avril's voice, which seems more calmer and less "screaming" if I can make myself understood. She sounds more girly.
If I should not listen to any song "electronically processed" I should put in the trash The Best Damn Thing, Goodbye Lullaby, Avril Lavigne..
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henryp92
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Post by henryp92 on Jan 7, 2021 20:13:09 GMT
I honestly don't agree at all - Avril has a voice and she can absolutely sing. Is her voice electronically processed? oh yes absolutely. But she was autotuned in It Was in Me.. she was autotuned a lot in Tell Me it's over, she was electronically pitched songs like Hello Kitty or Take Me Away from Under my Skin. It's not a news. But she can sings live. Differently, but she can. And most of time I don't like this discrepancy but Studio versions are always different.Β Clearly, in Flames the electronic process is more pronounced, but this is the late trend. Also after all she doesn't really scream too much in this song, instead I have the feeling Modsun's voice eats Avril's voice, which seems more calmer and less "screaming" if I can make myself understood. She sounds more girly.Β If I should not listen to any song "electronically processed" I should put in the trash The Best Damn Thing, Goodbye Lullaby, Avril Lavigne..Β I know Avril can sing and always uses autotune for her studio songs. It serves to generate effects on the voice, like the aforementioned Take Me Away or for pitch correction, like It Was In Me. That being said, the more I hear Avril's voice production in this songs the more it feels like they went way too high with the pitch correction. It is not like they are trying to generate an effect on her voice, it just feels like they crossed the line of perfecting her own vocals to noticing the "computerish" part of the autotune. It does reminds me of HTNGU and RnR. If you listen to the acapella version of the songs, you'll notice that almost glitchy sounds in her vocals. I like her melodies in this song. I like her armonies in this song. I actually like how she sings this song. I just think her vocals (as well as other parts of the songs) could have had a little more polishing in the production. I'm pretty sure this could be a song that I'll appreciate more live than recorded. I don't hate the song and I'll probably listen to it for time to time. It won't be like other collabs that I heard once or twice but have never touched again (I'm looking at you, Nick Carter), but its not a song that will stand out when I'm craving Avril's material. Edit: I still think its more interesting that the typical poppunk I was expecting, and that the two last portions of the song are the best part of the song. It's still a good song, I just don't think it has the amazing production others are pointing out .
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gabbox
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Post by gabbox on Jan 7, 2021 20:18:01 GMT
I honestly don't agree at all - Avril has a voice and she can absolutely sing. Is her voice electronically processed? oh yes absolutely. But she was autotuned in It Was in Me.. she was autotuned a lot in Tell Me it's over, she was electronically pitched songs like Hello Kitty or Take Me Away from Under my Skin. It's not a news. But she can sings live. Differently, but she can. And most of time I don't like this discrepancy but Studio versions are always different. Clearly, in Flames the electronic process is more pronounced, but this is the late trend. Also after all she doesn't really scream too much in this song, instead I have the feeling Modsun's voice eats Avril's voice, which seems more calmer and less "screaming" if I can make myself understood. She sounds more girly. If I should not listen to any song "electronically processed" I should put in the trash The Best Damn Thing, Goodbye Lullaby, Avril Lavigne.. I know Avril can sing and always uses autotune for her studio songs. It serves to generate effects on the voice, like the aforementioned Take Me Away or for pitch correction, like It Was In Me. That being said, the more I hear Avril's voice production in this songs the more it feels like they went way too high with the pitch correction. It is not like they are trying to generate an effect on her voice, it just feels like they crossed the line of perfecting her own vocals to noticing the "computerish" part of the autotune. It does reminds me of HTNGU and RnR. If you listen to the acapella version of the songs, you'll notice that almost glitchy sounds in her vocals. I like her melodies in this song. I like her armonies in this song. I actually like how she sings this song. I just think her vocals (as well as other parts of the songs) could have had a little more polishing in the production. I'm pretty sure this could be a song that I'll appreciate more live than recorded. I don't hate the song and I'll probably listen to it for time to time. It won't be like other collabs that I heard once or twice but have never touched again (I'm looking at you, Nick Carter), but its not a song that will stand out when I'm craving Avril's material. Edit: I still think its more interesting that the typical poppunk I was expecting, and that the two last portions of the song are the best part of the album. Oh ok, I absolutely understand what you mean and Yes I think you are right! The meaning of my message was simply I don't feel like there's a reason to be so dramatic about not listening to this song anymore because of the electronic production .. because as you said, it reminds of other songs like HTNGU or RNR which are very processed too, so we should have stopped hearing her songs way way way earlier than today
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melissavandella
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Post by melissavandella on Jan 7, 2021 20:21:35 GMT
The dramatics here. πππ
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rosegold
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Post by rosegold on Jan 7, 2021 20:34:43 GMT
I think it boils down to personal taste, which is to be expected and is perfectly fine. I personally have no qualms about the way the vocals were handled. The intro could have been adjusted differently for me, but it's nothing that flat out ruins the experience of listening to the song. I thought the production was super solid, but if you dig deep enough you will always find things you wish sounded different, specially when you have a musical ear and can easily break down the different layers of a song. For me personally, this song showed me John Feldman can take pop-rock/pop-punk and make it sound like it belongs in 2021. I'm hopeful that the material he's been working on with Avril will have consistent quality, which I'm very happy about.
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slapstick
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Post by slapstick on Jan 7, 2021 21:00:57 GMT
Just listened to it. I'll never to that again. My taste in music developed back in ancient times, when singers actually sang. The electronic processing done to Avril's voice is unforgiveable. I'm not a fan of overproduced voices either, but I wouldn't be nearly as harsh. My first impression is that I kind of find it amusing how Avril kind of feels like she's slightly using her 'baby' voice (?), anyway, I also quite like the instrumentals in the second part. It obviously has heavy trap influences, which has been popular for many years now. Lyrics feel a bit too repetitive even for a short song, but otherwise its an okay piece that may set some a bit more 'rockish' foundations for her to build upon in her future album... hopefully ?
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TamyXD
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Post by TamyXD on Jan 7, 2021 21:10:26 GMT
Just listened to the song on YouTube. I only gave it one listen; I'll try to wait till midnight to listen to it again, so that I can contribute to the streams.
So far, I think the song is... okay, I guess? Idk, like I said, I only listened to it once, so it's hard to tell. I'm definitely a little disappointed in Avril's vocal production. Sounds like they / Feldmann used quite some (unnecessary) autotune and other effects on her voice. In fact, I feel it doesn't really sound like Avril, it rather reminds me of someone else, I just can't think who right now. Pretty disappointing, really, because Feldmann has done some killer production on other songs before.
I'm also not a big fan of Avril's singing style, I think she's missing some passion. At least her vocal performance seems kind of insignificant next to Mod Sun's distorted voice full of anger, passion, and disappointment. I also feel that Avril's and Mod Sun's voices don't seem to be mixed very well when they sing together. In the verses, I thought there was a nice contrast between Avril's clean vocals and Mod Sun's distorted ones, but in the chorus/hook it became kinda messy.
I also find the song to be more pop than I'd expected. I only know about a handfull of Foo Fighter songs well enough to compare them to this one, so I might be wrong, but I didn't hear any Foo Fighter-ish sound in "Flames". It just sounded like a rather generic pop-rock song, at least until the loud guitars and drums kicked in near the ending. That part was pretty cool, a nice highlight. But it didn't really make me wanna listen to the song again right away (otherwise I definitely would've by now). And yes, the hook is pretty repetitive, and it's nothing special lyrically either.
I also wish the song was longer. A lot of these typical, short pop-punk songs tend to feel too short for my taste. Like, I just got into the song and then it's over already?
On the positive side, from what I could notice from this one listen, the drums and guitars (once they properly kick in) are pretty cool and seem well produced. I also really like how the song changes near the ending, gets louder and has a faster rhythm.
Overall, I'll definitely listen to the song a couple more times, but I honestly doubt it will grow on me to the point I'll still want to listen to it regularly a week from now, let alone a month.
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ame Β· ι¨
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Post by ame Β· ι¨ on Jan 7, 2021 21:25:33 GMT
First, autotune is not supposed to give any effect on the voice. that's distortion or whatever the effect is called. If autotune is done corectly you shouldn't notice it. Only people with pitch perfect or the ones that work as producers will probably be able to tell when autotune has been added, which in this days, basically every song (unless you're a hippie or an indie artist lol).
I don't hear any "computer-like" voice on her. I think what you guys are hearing it's her damaged voice from lyme. It's nasally as hell as it has been since 2018 and maybe that's why it sound weird. Cause i don't hear anyone complaining abut modsun's voice, and the track was produced by the same guy, so it doesn't make sense to me and i don't think Avril needs more autotune than modsun lol.
anyways, she's not able to defend her songs live since TBDT-GL. Her studio versions almost all the time sounds better (a few exceptions like 17 or push) but overall she's been a mess vocally lately. She wasn't able to defend it was in me live not a single time. But that's another topic xD
anyways, i get that some of you don't like, that's cool. But i think is a bit unfair to blame it one the "production" when the production is pretty great tbh. say you just don't like the song, there's no need to justify you disliking of the song lol xD don't get me wrong and i'm sorry if i sound rude, that's not my intention. I hate LMI for example and i guess i couldn't actually explain why rather than the annoying "yeah-yeah" parts. But that wouldn't be enoguh for an objective reason to hate the song xD
back to my point: her voice has been sounding weird since a couple of years now and i don't think it's the production, i think it's her. or her damaged voice let's say.
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Deleted
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Post by Deleted on Jan 7, 2021 21:37:20 GMT
I remember watching a YouTube video of the Honest Vocal coach reviewing her vocal development over the years and she addressed that Avril being an imposter shite. Anyway, the vocal coach explained how the change in key or whatever which has mostly been seen post UMS is potentially to do with her having better training.
Iβm no vocal coach but thereβs definitely a noticeable difference in how she sings post UMS even between LG and UMS, but she sings noticeable higher on TBDT probably because the songs are faster. And she has sang in this key since. I do prefer the way she sounded on LG but again that could be because she was younger. I really donβt know what Iβm talking about, but I think what Iβm trying to say is a donβt necessarily think her voice has been over processed. I think sheβs just had different training which may suggest the change in sound. Or itβs because she hasnβt taken care of her voice. I dunno!
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ame Β· ι¨
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Post by ame Β· ι¨ on Jan 7, 2021 21:40:04 GMT
Are you guys listening to the song with headphones or what the hell? xD and i mean headphones NOT crappy earphones. Don't even talk to me if you're listening to the song with the stupid little speaker from your phone or computer. Just sayin' xD you've been warned. Listen to music properly kids, please xD
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biggerwow
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Post by biggerwow on Jan 7, 2021 21:51:57 GMT
At first, I thought she sounded like Bebe Rexha. Since Avril's part is very pop. Just as I expected it would be. It's an okay song though. Might be a grower. I think it is basically Listen 2.0 and this might be because of the burning part but do I detect a bit of Bright? One thing is for certain though this song does not sound like the foo fighters! Not even the good drum part towards the end. Which brings me to the production which is fine by my standards. The part I didn't like was the trap beats. They weren't necessary. But that's like mod Suns signature or something. Not a fan of his music personally.
Overall, I think it's a forgettable track. I wish the song was more upbeat. Think MGK/Halsey collab. Or the Yungblud/halsey track. I swear I don't like those songs because of halsey lol I just enjoy the style. Because I did not expect for Avril to be belting out the lyrics. I thought it was going to be a regular upbeat singing style like on OOTG. But good for Mod Sun for using Avril's nice singing voice. Hope it gets added to some official playlists.
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Duwod
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Post by Duwod on Jan 7, 2021 21:55:34 GMT
Itβs alright but Iβm not really a fan of the song. The last part with Avril is beautiful though.
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henryp92
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Post by henryp92 on Jan 7, 2021 21:57:22 GMT
Are you guys listening to the song with headphones or what the hell? xD and i mean headphones NOT crappy earphones. Don't even talk to me if you're listening to the song with the stupid little speaker from your phone or computer. Just sayin' xD you've been warned. Listen to music properly kids, please xD Autotune is nowadays used as a generic noun for a common practice in modifying singer's voices. Again, when it is meant to perfect one vocals, it's named pitch correction. However, autotuned can be used to generate other voice effects as part of the production of the music itself. Cher is the most glaring example of this. Radio head also played with the idea. Many contemporary hiphop, trap and reggaeton artist use heavily this "autotune" as staple for the genres. I actually started hearing it more clearly when I got to hear the HQ version (and yeah, with headphones). I do think she sounds more nasal since Lyme and is also something here, but thats not what Im talking about. She sounded nasal in HAW, specially in many live performances, and still manage to make really powerful vocals with it. I never expected the song to not be autotuned. The thing is that it is too clearly present in this track. I don't know how to define it more clearly, is just a thing you can hear the vocal procesing in the voice, and when it isn't something made to part of the production itself it usually is somewhat an "overdo" of the vocal production. The same thing can be said about Modsun, it is also there, is just that it is easier to hear in the brigther color of Avril vocals. That being said, this is not a justification for disliking the song. I like the song, I'm pleased that it isn't a boybashing teenagy pop-punk song and that she is not trying to push a "maler" voice like she used to do back in her rockier days. I think the song has clever transitions from part to part and the mixture between soften piano parts and heavy guitar parts makes the song way more interesting that a punk song that sounds the same from start to finish. The worst I thing I can say (and that's my main suspicion) is that the song feels "rushed". Those production mistakes that bothers me (And I completly understand that it could be a nitpick and other actually don't mind it!) And the repetitive lyrics could be easily corrected if the song were matured a little bit more. The rest is up for personal taste. Not my favorite, but something I'll hear from time to time.
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Deleted
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Post by Deleted on Jan 7, 2021 22:04:58 GMT
I think I preferred the βmakerβ voice in the early days.
I do think it is a grower though. Iβve listened to it a few times now and like it more. I havenβt yet listened to it properly on speakers or in my car so yeah maybe it will sound better.
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