Deleted
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Post by Deleted on Oct 19, 2023 0:08:27 GMT
I think there's a lot she can put on the documentary. Each era she kind of always have a little scrap book that she keeps repeating over and over again, outside of that it must be thousands of new stories just waiting to be told, things more personal and thoughts that she could and should put on it if she's working on something covering her life/career. Documentaries are supposed to be unconfortable and push some limits. It don't need to be "keeping up with with the kardashians", but she definitely should get more personal on it Oh yeah I remember her saying that cuz that’s how Chad proposed to her. That’s really romantic tho. I wonder if she keeps that
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oneofthoseguys
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Post by oneofthoseguys on Oct 19, 2023 1:16:21 GMT
I would love to hear about her battles with the record labels. At least if she doesn’t want to open up about anything personal, surely that could be compelling? She’s had record label issues nearly every album. She could discuss fighting for her image as an artist and getting the label to see her vision, or having to compromise on certain things. The times she let them make the decisions (DTM vs MHE), whether or not she’d do things over again differently, etc. She said a million times that LA Reid had no problem with her "style". As soon as her collab with other songwritters didnt work, LA Reid and Arista sent her to The Matrix studio lol Fighting with record labels after 2011? I'm sorry, I'm not buying it.
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BogoGog24
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Post by BogoGog24 on Oct 19, 2023 1:25:33 GMT
I would love to hear about her battles with the record labels. At least if she doesn’t want to open up about anything personal, surely that could be compelling? She’s had record label issues nearly every album. She could discuss fighting for her image as an artist and getting the label to see her vision, or having to compromise on certain things. The times she let them make the decisions (DTM vs MHE), whether or not she’d do things over again differently, etc. She said a million times that LA Reid had no problem with her "style". As soon as her collab with other songwritters didnt work, LA Reid and Arista sent her to The Matrix studio lol Fighting with record labels after 2011? I'm sorry, I'm not buying it. In the beginning they wanted her to be a pop singer though. They were not on board with her doing rock songs. Eventually they came around and let her be herself but it wasn’t like that from the beginning. She had to convince them to let her write too. At the start there was some disagreement about the musical direction and they hired songwriters for her. I meant it’d be interesting to hear her talk about standing up to the label, considering how young she was and it being her first album, most would be too afraid to rock the boat like that. Like what was her thought process, was she afraid of being dropped, etc. There was label interference on nearly each album - LG, then the disagreement about the lead for UMS and they didn’t let her put out the song about the Beltway sniper attack, TBDT they brought Dr. Luke in because they didn’t think the album had a hit, GL, then AL it seems they had conflicting visions about the musical direction and it became this weird mishmash of pop songs with the dark tripod songs. She more or less alluded to HTNGU being a forced pop hit. With LS she was initially signed with a different label before moving to DTA. I just haven’t seen an artist have nearly as many label struggles or move around to as many different companies as her and it’d be interesting to hear her talk about her experiences if she’s not up for talking about much else.
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aia
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Post by aia on Oct 19, 2023 8:36:09 GMT
Are you sick of all the songs on your first album? Yeah. Except for a couple, “Tomorrow” and “I’m With You.” When I was on tour, I was like, “I’m over this.” I was just looking forward to my next record. I can’t stand performing “Complicated.” But I’m not gonna pull the “I’m not singing a single” like some bands who are too good to do that. You should always play your hits. What is the rudest thing you’ve ever read about yourself? People saying I can’t sing, but I have no problem with that, because I know that I can. People saying that I can’t write, which pisses the fuck out of me, because I’m a writer. Don’t you fucking dare try to take that from me. What’s the best lyric you’ve written? One of my favorite bridges I’ve written is in “Losing Grip” [sings]: “For crying out loud/For crying out loud.” I just get lost when I’m performing it. It’s so me. Is it easy to write about guys? Oh, fuck, yeah! It’s so easy. It’s what I always write about. So no new political material? You know, I have, but it didn’t make the record. No way! What was it about? The way I wish that people would just come together. Like, “Why is this planet suffocating?” I talked about a few things that were going on on TV. You remember the serial killer, the sniper dude. Yeah, the Beltway snipers in D.C. Yeah. One of the lyrics was “On my TV there’s a serial killer who’s taken too many lives/He shot somebody every day/And now he’s still getting away.” www.rollingstone.com/music/music-news/qa-avril-lavigne-171370/-------------------------------------------- It was a funny interview because Avril said she can write, but when the next question she was asked about the best lyrics she wrote, she answered "for crying out loud". Btw I wish that political song was in the original UMS album, or got leaked at least.
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NowISee
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Post by NowISee on Oct 19, 2023 8:46:57 GMT
Are you sick of all the songs on your first album? Yeah. Except for a couple, “Tomorrow” and “I’m With You.” When I was on tour, I was like, “I’m over this.” I was just looking forward to my next record. I can’t stand performing “Complicated.” But I’m not gonna pull the “I’m not singing a single” like some bands who are too good to do that. You should always play your hits. What is the rudest thing you’ve ever read about yourself? People saying I can’t sing, but I have no problem with that, because I know that I can. People saying that I can’t write, which pisses the fuck out of me, because I’m a writer. Don’t you fucking dare try to take that from me. What’s the best lyric you’ve written? One of my favorite bridges I’ve written is in “Losing Grip” [sings]: “For crying out loud/For crying out loud.” I just get lost when I’m performing it. It’s so me. Is it easy to write about guys? Oh, fuck, yeah! It’s so easy. It’s what I always write about. So no new political material? You know, I have, but it didn’t make the record. No way! What was it about? The way I wish that people would just come together. Like, “Why is this planet suffocating?” I talked about a few things that were going on on TV. You remember the serial killer, the sniper dude. Yeah, the Beltway snipers in D.C. Yeah. One of the lyrics was “On my TV there’s a serial killer who’s taken too many lives/He shot somebody every day/And now he’s still getting away.” www.rollingstone.com/music/music-news/qa-avril-lavigne-171370/-------------------------------------------- It was a funny interview because Avril said she can write, but when the next question she was asked about the best lyrics she wrote, she answered "for crying out loud". Btw I wish that political song was in the original UMS album, or got leaked at least. Before I saw the link to Rolling Stones, I thought this was a parody 😁
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elina
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Post by elina on Oct 19, 2023 8:48:03 GMT
She said a million times that LA Reid had no problem with her "style". As soon as her collab with other songwritters didnt work, LA Reid and Arista sent her to The Matrix studio lol Fighting with record labels after 2011? I'm sorry, I'm not buying it. In the beginning they wanted her to be a pop singer though. They were not on board with her doing rock songs. Eventually they came around and let her be herself but it wasn’t like that from the beginning. She had to convince them to let her write too. At the start there was some disagreement about the musical direction and they hired songwriters for her. I meant it’d be interesting to hear her talk about standing up to the label, considering how young she was and it being her first album, most would be too afraid to rock the boat like that. Like what was her thought process, was she afraid of being dropped, etc. There was label interference on nearly each album - LG, then the disagreement about the lead for UMS and they didn’t let her put out the song about the Beltway sniper attack, TBDT they brought Dr. Luke in because they didn’t think the album had a hit, GL, then AL it seems they had conflicting visions about the musical direction and it became this weird mishmash of pop songs with the dark tripod songs. She more or less alluded to HTNGU being a forced pop hit. With LS she was initially signed with a different label before moving to DTA. I just haven’t seen an artist have nearly as many label struggles or move around to as many different companies as her and it’d be interesting to hear her talk about her experiences if she’s not up for talking about much else. I was thinking this the other day too. Are there any other prominent female singers who had so much trouble with their label? Avril got a deal based on singing a really mellow pop song. Perhaps with other singers it has been more clear from the get go what the singer wants so the label isn't taken by surprise. But that only explains the first record. After that, the label(s) should have been aware that Avril wants more than pop. Is it because labels think you can't make money if you switch styles too much? Is Avril too versatile (from a label pov)? I don't really listen to or follow other female singers enough to know whether the level of versatility we've gotten from Avril through her career is normal or not. I suppose it could be the pop genre that is kind of inflexible? When you look at other genres, there seem to be fewer restrictions from labels.
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orangesky
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Post by orangesky on Oct 19, 2023 9:46:25 GMT
Even though Avril had a rockier sound she was still mainstream so the label didn't want her veering too far from that. They wanted hit singles and would make sure there were some. From GL onwards she said herself they were always unhappy with her wanting to use real instruments because that wasn't a mainstream music sound at the time.
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BogoGog24
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Post by BogoGog24 on Oct 19, 2023 12:48:55 GMT
Yeah I follow some other female artists and they didn’t have as many issues with their label as Avril, as far as I’m aware. Taylor had some, like Scott thought she should change the title of the Speak Now album, and when she wanted to go full pop on 1989, he really disagreed with every decision regarding that album. Then she ended up moving labels and of course her masters were sold. But she’s only been on 2 labels her whole career.
Ariana has been with the same label all her career, I think for her first album they weren’t on board with a throwback R&B sound but other than that she hadn’t had too many disagreements with them that I know of.
Miley went from the Disney label to RCA. She was probably dictated what to do when on the Disney label but I can’t recall her having much issue otherwise.
Kelly had issues with RCA regarding the My December album but I think her other releases went more smoothly. She’s only been on 2 labels her whole career.
Britney was largely controlled by the label, there was a whole album that got scrapped even. She’s been on only 2 labels her whole career.
Either other artists just haven’t had as many issues with labels, or they just haven’t talked about it as much as Avril has. Either way, many artists have been on the same label their whole career or maybe 2. Avril’s been on 5. I’ve never seen an artist change labels as often as she has. It might be a business thing, a lot of artists get signed to multi year/multi album deals but maybe Avril’s management negotiated for 2 year/2 album or 1 album deals so Avril wouldn’t be stuck? Idk. I almost wonder if she’s developed a reputation in the industry for being difficult to work with and labels don’t want to sign her for long contracts.
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biggerwow
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Post by biggerwow on Oct 19, 2023 13:25:54 GMT
I kind of feel the opposite, I feel like Avril has held back and find Kelly to be especially candid about songs she didn't want to write including big hits, people she hated working with and why, etc. Btw not comparing just know way more stories from Kelly's camp than other pop girlies.
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pllforlife
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Post by pllforlife on Oct 19, 2023 14:13:00 GMT
In the beginning they wanted her to be a pop singer though. They were not on board with her doing rock songs. Eventually they came around and let her be herself but it wasn’t like that from the beginning. She had to convince them to let her write too. At the start there was some disagreement about the musical direction and they hired songwriters for her. I meant it’d be interesting to hear her talk about standing up to the label, considering how young she was and it being her first album, most would be too afraid to rock the boat like that. Like what was her thought process, was she afraid of being dropped, etc. There was label interference on nearly each album - LG, then the disagreement about the lead for UMS and they didn’t let her put out the song about the Beltway sniper attack, TBDT they brought Dr. Luke in because they didn’t think the album had a hit, GL, then AL it seems they had conflicting visions about the musical direction and it became this weird mishmash of pop songs with the dark tripod songs. She more or less alluded to HTNGU being a forced pop hit. With LS she was initially signed with a different label before moving to DTA. I just haven’t seen an artist have nearly as many label struggles or move around to as many different companies as her and it’d be interesting to hear her talk about her experiences if she’s not up for talking about much else. I was thinking this the other day too. Are there any other prominent female singers who had so much trouble with their label? Avril got a deal based on singing a really mellow pop song. Perhaps with other singers it has been more clear from the get go what the singer wants so the label isn't taken by surprise. But that only explains the first record. After that, the label(s) should have been aware that Avril wants more than pop. Is it because labels think you can't make money if you switch styles too much? Is Avril too versatile (from a label pov)? I don't really listen to or follow other female singers enough to know whether the level of versatility we've gotten from Avril through her career is normal or not. I suppose it could be the pop genre that is kind of inflexible? When you look at other genres, there seem to be fewer restrictions from labels. Michelle Branch got royally f’d by Warner for years. Jojo, too. Taylor Swift and the Big Machine drama and needing to re-record everything
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gabbox
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Post by gabbox on Oct 19, 2023 14:17:50 GMT
All these artists fighting for their own songs and then there are Katy Perry and Justin Bieber who sold them
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joshlee
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Post by joshlee on Oct 19, 2023 14:37:42 GMT
The Veronica’s have released their new single called “Perfect” which was produced by John Feldman and also see he helped them write the song with Travis Barker.
It sounds quite Avril, and I wonder if this would influence the style of music on AL8 with not wanting to sound too similar to The Veronica’s especially if John and Travis are involved?
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katy
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Post by katy on Oct 19, 2023 15:07:14 GMT
Her label issues were kind of trivial up until GL - she was a teenager for her first two albums so I get it, teens don’t like being told no, they weren’t “issues” as such.
From GL onwards honestly I kind of get some of it. There’s zero single material on GL if we’re just looking at the songs she actually wanted on there (ie not WTH, Smile, WYWH etc). The songs they force-wrote for singles weren’t any better, but the label weren’t wrong that it wasn’t a very strong album. AL is just a mess, idk who’s fault that is but there’s no excuse for some of the songs on the album lmao
I agree re her maybe having a reputation of being difficult to work with. Very few people stay in her life very long or consistently work with her, there must be a reason for that?
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damncoldnights
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Post by damncoldnights on Oct 19, 2023 19:52:52 GMT
I do respect her for sticking to her guns, though. Her goal is to make the album she wants to make and bring her vision to life, even if it isn't likely to be the most commercially successful album. On the other hand, for example, Demi has said the goal when writing Confident (the album) was to make a commercially successful album that would put her in contention for awards; that album got nominated for a Grammy. IMO, both are perfectly fine goals, and I think successfully bringing your vision to life isn't "lesser than" having a commercially successful album. It's great if you achieve that too, but I really think creating the art you want is an equal achievement to getting the number 1 album debut you were going for. I think the art itself is often overlooked given how much focus is on billboard rankings and whatnot.
On one hand, I certainly don't think it's a bad thing if the label tries to guide the artist, especially if the goal is to write a bunch of hits. But I also think artists should have complete creative freedom to create their art, taking others' opinions/advice into account if they want to. Was GL more commercially successful because the label forced WTH and Smile? Probably. But IMO the art suffered a bit because those songs are very out of place. And at the end of the day, they forced Avril to deviate from her vision on an album that was so deeply personal and that she was so proud of. I'm not saying she necessarily knows better than the label, but she's always mostly seemed to be way more focused on the art rather than how successful it is. Obviously the label cares far more about her churning out hits. And you know what? I respect her so much for basically saying "you just want me to do what you want so that you can make more money off of my art, but I'm not doing that -I'm making my art according to my vision because this is my art, not yours." Even though yeah she's probably got a reputation of 'being hard to work with' -which, when used to describe a woman, usually is code for 'voices her opinions and is assertive and not a pushover'- I really respect that she's willing to take that hit to her reputation if it means keeping her artistic integrity. The labels don't care about her vision and what an album means to her, they care about how much money they can make off of her. Personally, I'm completely on board with her fighting to make her art the way that she wants to. Partially because I really think artists should be allowed to do their thing (whether it's painters, authors, singers), and also because as a fan, I want to hear the music the artist wants to make.
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BogoGog24
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Post by BogoGog24 on Oct 19, 2023 20:18:16 GMT
I agree but the label needs to make money. It’s not just them doing it because they don’t understand art or whatever lol It takes money to make albums and promote artists at Avril’s level. They were not confident they’d see that money come back based on what she was putting out. But they could have found a happy medium, like idk what would have been wrong with a song like WYWH as the lead. It was a catchy pop song but still coincided with the overall theme of the album.
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